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There are two types of country music advancing to the U.S from Canada.

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There’s the big, radio-friendly pop country that sounds aloof like what’s advancing out of Nashville, about ‘80s bedrock with the atomic bit of twang. It’s bedeviled by bros cutting astern ballcaps and bound T-shirts, singing alone about beer, babes, cars and fishing, and they all complete aloof the same.

“I’m all boom, boom, boom/

That’s an absolute lyric from one of the hottest country songs from Canada, Aaron Goodvin’s “Lonely Drum,” which was nominated as distinct of the year by the Canadian Country Music Association.

It didn’t win. A song that sounds absolutely like it won, James Barker’s “Chills,” an accessible song that repeats the line, “Yeah, I get chills, oh whoa,” 19 times.

The added affectionate of Canadian country music comes from the absolute country, abnormally the cold, empty, wind-flattened prairies of southern Saskatchewan.

It’s the music of men and women still alive the stingy land, still block beasts out of coulees on horseback, or cat-and-mouse tables, architecture houses, charwoman cabin rooms, or affairs a little weed. Their belief are told by blue-collar artists whose added accurate lyrics are afterpiece to Hank Williams and Townes Van Zandt than the sound-alike, repetitive, developed nursery rhymes of avant-garde pop country.

Canadian alt-country artists like Corb Lund, Blake Berglund, Belle Plaine, Whitney Rose, Lindi Ortega and Zach Lucky accept continued been accustomed the acidity bake in the provinces. In Canada they accept a ample and growing following, anchoring folk festivals and packing theaters. But, they haven’t yet gotten the admirers they deserve in the U.S.

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There are, however, two glimmers of achievement for alt-country in both countries. One is that Nashville may accept a body afterwards all, assuredly demography a flash to outlaws like Chris Stapleton, Sturgill Simpson, Jason Isbell and Margo Price.

The added achievement is Colter Wall, a 23-year-old singer/songwriter from Swift Current, Saskatchewan, a alone acreage and oil boondocks about 50 afar arctic the Montana border.

Colter Wall with Blake Berglund comedy the Pub Station in Billings Tuesday, 8 p.m., Oct. 23. Tickets are $17 in beforehand and $20 at the door.  They alpha their Montana run in Missoula at the Top Hat Oct. 21 and comedy the Rialto in Bozeman Oct. 22.

Although he’s young, he’s got the asperous baritone of addition who’s been administration a clammy auberge with Waylon Jennings for about 40 years.

Already, he got a continuing acclaim from Steve Earle in a Nashville club show, and he’s opened for Lucinda Williams in angelic of holies, the Ryman Auditorium. The New Yorker annual alleged him one of “the best cogitating adolescent country singers of his generation.” Alike cool ambassador Rick Rubin is basics about him, allure him for his American Recordings label.

Wall has managed this accelerated acceleration not by demography alt-country in a new direction, but by demography it aback to its folky roots. His new anthology “Songs of the Plains” is a mix of originals and abstruse accessible area songs, and you can’t acquaint which is which. Alike with activating guests like harmonica fable Mickey Raphael, the songs abide additional and generally heartbreaking.

It’s the “beautiful language” of the old songs, and the stories, that Wall loves most. 

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“People don’t allocution like that anymore and they don’t address like that,” he said. “As a songwriter, I appetite to be able to address like that. That’s what I’m aiming for.”

Wall is able-bodied acquainted he’s not on the aisle to bushing arenas like Brad Paisley or Carrie Underwood.

“The best music has consistently been underground anyway,” he said.

Wall’s acquaintance and adolescent Saskatchewanian (that can’t be what they alarm anniversary other) is alt-country artisan Blake Berglund, who grew up on a horse acreage in the southeast bend of the province. His grandfathering was a antagonism auto man and his brother was a antagonism champion. He himself rode bulls, three in total, afore acumen he was added ill-fitted to singing about balderdash riding.

Berglund and his bound bandage accept congenital a dependable afterward in Canada and accept aloof started touring added in the American West and South. He has able words for accepted country music, calling it the artefact of “corporatization,” “deceptive marketing” and alike “perverted.” That goes for Canadian pop country, too.

“The agitation with Canadian country is they can’t alike do a acceptable job of autograph bad songs,” Berglund said in a chat with The Gazette. “The songs are carbon copies of what’s advancing out of the states.”

But, Berglund has a funny way of attractive on the brilliant ancillary of everything. He believes pop country is so bad that added admirers are actuality pushed to balance acidity area it has existed all along, in alt-country. 

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“People are smart. I absolutely accept that,” said Berglund. “I anticipate best bodies accept a absence to intelligence and accepted sense. They can see accepted country for what it is and they will get annoyed of that and will chase for actuality and truth.”

Alt-country will never booty over country radio or get the business ability it deserves. But, alt-country artists like Stapleton, Isbell and Eric Church will abide to breach out. And, Canada has a continued history of artists breaking out afterwards affairs out, like Ian Tyson, Buffy Saint Marie, k.d. lang, Neil Young, Leonard Cohen and Joni Mitchell.

Berglund has been told afore by almanac admiral to impaired bottomward his songs. He has responded by autograph smarter and smarter songs. His newest almanac “Realms” isn’t meant to be a huge average feel to accumulated country music, but it may as able-bodied be.

The lyrics-driven almanac owes as abundant to abstruse writers like Joseph Campbell and Robert Graves as it does Townes Van Zandt, Guy Clark and The Byrds.

“They say that there’s a argent chord/

Connects us to a college place/

A buoy of nourishment/

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Protected in a area of light,” he sings in the appellation cut.

That sounds crazy, but Berglund makes it work.

And, there are authentic country lyrics like this from “Pretty Acceptable Guy.”

“He’s gone and cheated on a brace of his lovers/

He never tells the cops his absolute name/

So they alarm him Boss, or Hoss, or Handsome.”

And this from “Crooked Old Earth.”

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“Alcohol and burst homes/

The illusions of what we own/

We acclimated up all the anachronistic bones/

In cars that we can’t fix.”

The ambition for a lot of alt-country singers is not necessarily fame, but to accomplish a active and be able to attending aback in old age and be appreciative of your work, Berglund said.

The songs of long-dead singers can still accomplish bodies cry, or hope.

“How is my music activity to affect bodies afterwards I’m dead? That’s my job as a writer, to leave article that outlives me,” he said.

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