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ATLANTA — Over four decades, Wuxtry Records, a awash athenaeum of all things audition a mile east of Emory University, has ridden the aiguille years of vinyl, the acceleration and abatement of cassettes and CDs and the hasty improvement of vinyl this accomplished decade.

Owner Mark Methe credibility to a 2015 New Yorker animation he taped to the access and chuckles like a man who has apparent it all. The animation bulk tells addition dude: “The two things that absolutely drew me to vinyl were the bulk and the inconvenience.”

For a time, food like Wuxtry seemed destined for the almanac abundance cut-out bins of retail history, alternating the curve of video rental food and Radio Shack.

But acknowledgment to vinyl’s zombie-like revival, busline Atlanta has apparent a improvement in mom-and-pop almanac food in contempo years, mostly in the arctic suburbs. In the meantime, intown staples such as Wuxtry and Criminal Annal accept begin new life.

“Right now is the aiguille of indie almanac food in Atlanta,” said Jeff Clark, who has run all-embracing music anniversary Stomp and Stammer for 22 years and has lived in the breadth all his life. There are at atomic 18 currently open, from Vinyl Frontier in Carrollton to Al Bum’s Almanac Shoppe in Acworth to Sunbrimmer Annal in Avondale Estates.

Back aback vinyl was the ascendant option, Atlanta-based chains Turtle’s and Peaches endemic the town, Clark said. Later, Tower Annal in Buckhead became the abode to be, a approved stop for Elton John. Peaches filed for defalcation in the 1980s. Turtle’s was swallowed up by Blockbuster in the 1990s. Tower bankrupt in 2006. Vinyl sales by afresh had diminished to beneath than 1 actor new units a year compared to 250 actor additional in its aiguille year of 1978.

Today, there is a bright hipster agency to vinyl, as apparent by its success at Urban Outfitters and attendance in movies and TV such as “La La Land” and “Suits.” But it’s fair to accompaniment that vinyl is still abundantly eclipsed by agenda options and alike the dying CD format. Vinyl awash 14.3 actor new annal in 2017, the best in about three decades. But that represents aloof 8.5 percent of absolute anthology sales and 4.5 percent of all music revenue.

Nonetheless, renewed absorption in vinyl revamped the accessory acclimated market, enabling abounding of these newer food to survive. Several food are now commutual additions to downtowns such as Newnan, Woodstock and Marietta already abounding with contemporary restaurants and art shops. Al Bum’s, with abutment from the burghal of Acworth, holds approved concerts to draw traffic, including a contempo Led Zeppelin awning bandage to bless the band’s 50th anniversary.

Both Moods Music in Little Five Credibility and Waterloo Sunset Annal in Smyrna are alike planning to add additional stores.

While a few shops — like the appropriately-named Improvement Vinyl in Alpharetta — are alone about vinyl, others alter to break alive. Newnan’s Vinylite sells skateboards. Mall of Georgia’s Bedrock Boutique specializes in rock, jailbait and metal bandage T-shirts. Sweet Melissa Annal in Marietta is allotment of an aged shop.

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Collectors of vinyl accept no curtailment of non-retail options, from flea markets and acreage sales to eBay and Craigslist. So why alike bother alive to a brick-and-mortar store?

“Record accession has become a association activity, and almanac food are the acquisition spots,” said James Kelly, 62, a analytic analyst who loves Wax n’ Facts amid in Little Five Credibility and is alive on Atlanta Vinyl Collectors, a accumulation folio on Facebook. “Just about every time I go, I end up in a chat with addition over some almanac or artist, and appealing abundant consistently accretion and allotment some knowledge. The almanac abundance owners apperceive what the approved barter are attractive for, and accomplish abiding their banal is loaded with aerial quality, unique, interesting, and hard-to-find albums.”

Many Gen Xers and babyish boomers, who dumped their almanac collections in the ’80s and ’90s to beat up CDs, are now affairs aback some of those above LPs, advantageous a exceptional for the privilege.

Indeed, 56-year-old Tom Wright — buyer of The Wright Being Annal & Collectibles on Main Street in Woodstock — afresh spent 40 account giving new chump Zach Kell a assignment on vinyl adept recordings and the bulk of aboriginal pressings. Kell absolved abroad with a $40 Robert Ludwig-engineered adept disc adaptation of Rush’s 1981 “Moving Pictures,” with the aboriginal $8.66 Turtles bulk sticker on the front.

Holding his new prize, Kell, a 42-year-old chef, appeared as blessed as a boy who aloof accustomed his aboriginal toy train. He best up the record-collecting bug aloof 18 months ago and admits to spending bags on analog accessories and records. “It’s a blast,” he said.

Generation Z, congenital amid 1996 and 2010, grew up in a apple area every song apprehensible is now accessible on a smartphone. Some are fatigued to the abstraction of absolutely owning article tangible. Their parents or grandparents accomplished them on the abstruse feel of those fragile, atramentous discs, the generally crazy awning art and the burst as the aggravate skips over an blemish in the grooves. And for acute ears, LPs accommodate a warmer complete than aeroemism downloaded recordings.

“The affection of the sounds is awesome,” said Natalie Hollar, a 17-year-old chief at Walton Aerial School, as she was abrogation Mojo Vinyl in Roswell afterwards about purchasing an LP adaptation of Dr. Dre’s “The Chronic.” (“You can’t get it on Spotify,” she said.) Her aboriginal vinyl acquirement two years ago? “The River” by Bruce Springsteen.

It’s aloof a fantasy

Inside Fantasyland Records, the better absolute almanac abundance in Atlanta which opened in during the acme of the disco era, $7 posters address the pouts of Taylor Swift, David Bowie and Prince awning the walls.

Cardboard boxes and old board Peaches almanac abundance crates blimp with anxiously organized vinyl from the 1950s to the 2000s bandage the aisles of the advanced room. In a aback corner, a arbor offers a bulk of new vinyl releases (Paul McCartney, Carrie Underwood, J. Cole). Two aback apartment are abounding with acclimated CDs, 45s and added vinyl — from opera singers to Cher, old radio programs (“Dragnet,” Groucho Marx) to ball abstract — and the alley amid them is aloof advanced abundant for a brace of tables address the redheaded stepchild of cine viewing: secondhand DVDs.

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“We accumulate it absolute classic-looking almanac abundance here,” said administrator Mark Gunter, of the Pharr Alley music hub. “I anticipate bodies acknowledge it more.”

Everything about Fantasyland oozes authenticity.

Owner Andy Folio, 73, opened the aboriginal area in October 1976 in a now-demolished bandage of food on Peachtree Alley in Buckhead.

“The hire was $260 a month, which is about 20 times that now,” he said with a smile.

He and Gunter, his accessory for 38 years, confused in 2010 to this accepted location, beneath a assemblage of apartments a few blocks from The Shops of Buckhead.

The millennials, Folio said, are the primary drivers of income.

“If it wasn’t for the adolescent kids, we’d apparently be gone now. That’s the courage of our business, bodies from 18 to 40. Seventy to 80 percent (of our business) is adolescent people. It’s aloof article air-conditioned that took authority on the internet several years ago. It was air-conditioned to accept a almanac player.”

On a contempo Friday afternoon, Ed Roland, 55-year-old frontman for Collective Soul and a approved customer, popped into Fantasyland with his sons, Lindsey, 20, and Lennon, 9.

Roland aloof alternate from a summer bout with Three Doors Bottomward and Soul Asylum and was accessible to boutique and leave the abundance “full-handed.”

“Lindsey, my oldest, loves (vinyl). He gave his adherent a almanac amateur a brace of years ago … and it’s consistently air-conditioned to accompany him here. My youngest will comedy video amateur the accomplished time we’re here,” Roland said, bedlam as Lennon glanced up from his accessory and gave a accede beyond the aisle. “Lindsey and I kinda affiliated aback he was a adolescent teenager. He’d acquisition the bands he admired and acquaint me to them, from Phoenix to Twenty One Pilots. I’ve got to be a acceptable dad and accumulate him in vinyl.”

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Roland’s affection for the architecture is true.

“All I accept to at home is vinyl. I don’t stream. I don’t do any of that. Aback I’m on the road, I read. I apprehend abundant music aback I’m (touring). But aback I appear home, our engineer-producer Shawn (Grove) and I, we absolutely sit and accept to vinyl afore we alpha recording as a bandage and apprehend the account that we grew all grew up on in and the tones we enjoy. It aloof sounds added absolute to me,” Roland said.

Music lovers who accede with Roland’s appraisal of the complete of vinyl accept a amazing bulk to accept from at Fantasyland. Gunter estimates the abundance carries about 75,000 LPs — additional the above CDs and 45s and, for an alike added bang of nostalgia, cassettes and eight-track tapes.

At atomic one music celebrity has approved the different account offered at Fantasyland.

“In the mid-’90s, Robert Plant came in,” Gunter recalled. “They were touring in a bus, but he had purchased an old Oldsmobile convertible in Texas, and it had an eight-track player. He got into boondocks and somehow begin out about our store. He came in and asked if we had eight-tracks and concluded up affairs a big box of (them).”

The Fantasyland acceptability trickled bottomward to several added celebrities over the years. Michael Jackson visited in the ’90s — with his limo disciplinarian and Emmanuel Lewis in tow — and Eric Clapton, Billy Corgan, Elvis Costello, and Peter Buck and Mike Mills of Athens, Georgia-rooted R.E.M. accept perused the commodity as well.

“People aloof like architecture a almanac collection,” Gunter said of the trend. “You can acquaint a lot about their personality from what they accept to. You accept the nice anthology jacket, the artwork. It’s allotment of the culture. You accept to absolutely accept to the record, cast it over for ancillary two. It’s acceptable to appear from academy or assignment and accept your almanac accumulating on the shelf and aces out what you’re in the affection to accept to and put it on.”

Power of promotion

Record Abundance Day, which Criminal Annal architect Eric Levin helped advance in 2008 and happens anniversary year in April, has become an anniversary business bonanza for indie food worldwide, their agnate of Atramentous Friday. At Criminal, admirers will bandage up about the block on Almanac Abundance Day. Abounding food authority concerts and cookouts while admirers beat up appropriate reissues or releases musicians accord alone to absolute almanac stores.

Butch Walker, a above Atlanta-based accompanist and songwriter, is one of those musicians who has accustomed music to advertise on Almanac Abundance Day.

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He grew up in alone Cartersville, Georgia, and trips to the bounded Almanac and Tape Apple — area his parents would bead him off afterwards academy — were an agitative pilgrimages.

“This abode was like a banned acreage to me,” he said, “especially for Cartersville in the ’80s, which was a actual bourgeois Bible Belt town. Aback I absolved in, there would be posters of Kiss, Van Halen, Jimi Hendrix, all over the walls. It smelled like marijuana alike admitting I wasn’t declared to apperceive what that smelled like.”

Walker’s agreeable adventure began in that bounded shop. “I assumption you could say it accomplished me, as able-bodied as clean-cut me into the music-obsessed being I am today,” he said, and he continues to advance the actuality of the attraction of the indie almanac store.

In concert, Walker generally professes his adulation of Criminal Annal — and admirers booty notice.

On a contempo September afternoon, Amanda Ellis, 36, and her babe Samantha, 17, of Tampa, Florida, browsed in the Little Five Credibility agreeable mecca.

The brace appointment visits Atlanta a few times a year for concerts and consistently beat by Criminal Records, which they apparent through Walker.

“We’ve been absolutely big admirers of his for years and years, and that’s how we begin out about (this place) and started advancing here,” Amanda Ellis said.

Walker still has balmy animosity for the store. For about 16 years, he lived abaft the above Criminal Annal home, and recalls his accepted on the canicule he wasn’t touring the country in a van.

“I would deathwatch up, get an Americano from Aurora, afresh airing aing aperture and analysis out new records,” he said. “I would accept to what they were arena over the speakers, or ask them to bandy on a new absolution by addition that I was analytical about. The sometimes anytime adamant abundance clerks — I’m attractive at you, Caesar — would be actual articulate about whatever alternative you were absorbed in, behindhand if you asked for their assessment or not. I begin this mostly absorbing and sometimes helpful. Afterwards all, these bodies lived and breathed music. They were fans. Try accepting that affectionate of absorption to the capacity at Target.”

Drawn aback to the biz

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Don Radcliffe primarily awash acclimated CDs at Ella Guru in adjacent Decatur starting in 1999 but bankrupt boutique in 2009 as sales achromatic away.

He vowed never to go there again, but the vinyl awakening was his siren call. He reopened in a bashful 450-square-foot amplitude in 2012. As his wife, Melissa, told him, “What do shoemakers do? They accomplish shoes. What do you do? You advertise music!'”

Radcliffe readily admits a baby almanac boutique has never been, and will never be, a aisle to owning a additional home on Tybee Island.

“We’re blind in there with the aesthetics of low overhead, aerial margins,” he said. “It’s aloof a abundant little cash-flow machine.”

It helps that Radcliffe has aciculate instincts acid by decades of congenital agreeable knowledge, affairs bargain and affairs at margins that pay the bills.

“It’s consistently acceptable to acquisition abnormal and aberrant and rare,” Radcliffe said, “but if 50 acceptable copies of ‘Thriller’ came my way, I’d buy every one of them. Above with ‘Rumours’ or ‘Dark Ancillary of the Moon’ or ‘Led Zeppelin II.’ In my business, it’s air-conditioned not to like the accepted stuff, but they awash 20 actor copies for a reason.”

He said he goes aback and alternating whether the accepted vinyl improvement is acceptable for the continued term. “We’re still a alcove business, the 0.1 percent,” he said. “Digital music fits best people’s lives perfectly. I accept no affair with digital.”

Clark, the Stomp and Stammer anniversary owner, is anytime the contrarian. He foresees a improvement in CDs bottomward the road, acquainted he can beat up six $5 CDs at Fantasyland for the bulk of a distinct new LP: “CDs rule, man!”

Story Filed By Cox Newspapers

For Use By Clients of the New York Times News Service

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