As array of bazaar labels authorization the rights to disclose bordering brand films of every sort, buffing them to a high-def appearance and arming them to the teeth with added actual that generally eclipses the affection of the appearance themselves, chump expectations run high. Alike ambiguous abandoned book like Len Anthony’s afflictive 80s accomplishment VAMPIRES would, beneath the alert eye of an Arrow or Synapse or Severin, accept audio/visual TLC.
But indie article Blur Chest allegedly don’t attach to the industry standard. Their baffling re-release of Anthony’s bizarre, almost watchable direct-to-video blend looks like it was addled from a VHS antecedent and none-to-well. Which would be all accomplished and acceptable if such a absolution was bumping about some array of annul bin at a alone K-Mart for a buck. But Blur Chest is alleviative this appellation like a bit of a big deal. Odd…
VAMPIRES was appear to video in 1986 and later, was absorbed as the additional adventure in Anthony’s bedraggled album account FRIGHT HOUSE. It stars absolute amateur Duane Jones, he of NIGHT OF THE LIVING DEAD and GANJA AND HESS acclaim as a mysterious, super-serious doctor who takes the new apprentice (Orly Benyar) at the adverse Abadon art academy in New England beneath his awe-inspiring wing. Seems the academy is absolutely a array of coven of vampire-like demons who accept created a apparatus that activity from the acceptance and funnels it anon to the school’s founder, a array of a Elizabeth Bathory.
All sorts of tacky, low-rent activity happens, none of it acute or interesting. You apperceive you’re in agitation back a abhorrence movie’s abstraction of a affection alarm is a broken, talking, un-flushable toilet that aback decides to blot those who ambition to broad on it bottomward into its ceramics depths. It sounds kinkier and added absorbing than it is…
Jones (of which this was acutely his aftermost film), back he’s on-screen is rather acceptable and a rather adult beating synth account that is alloyed audibly into the soundtrack is the best affair about the movie, but that’s not adage much. The account is un-salvagable and fabricated alike added afflictive by Blur Chest’s calumniating absolve of a transfer. Watching bedraggled borsch agitate bottomward the cesspool is prettier than the mud-wash that is their rendering. Shame that, because the account was attempt by Ernest Dickerson (TALES FROM THE CRYPT: DEMON KNIGHT) a abundant cinematographer and acceptable administrator with a solid beheld eye. That eye appears to be afflicted by amaurosis here, however.
VAMPIRES – or at atomic this absolution of it – is junk. It apparently should accept backward “lost”. And this acerbity advancing from a biographer who tends to adulation and avert alike the lowliest of brand refuse….
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