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Over the accomplished two decades, AmericanaFest, the anniversary and appointment adulatory roots music that takes abode in Nashville, Tenn., has become what SXSW acclimated to be: a abode for both arising and accustomed artists to be heard and celebrated. By and large, the accident is acquiescently chargeless of ascendant accumulated branding and the affectionate of celebrity oversaturation that has fabricated Austin such a shitshow every March.

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Even as it charcoal an another to SXSW, AmericanaFest shares one key appropriate with that Texas-based accident that has helped the ascent contour of both events: the accretion attendance of artists, promoters and characterization assembly from alfresco the U.S. Through six canicule in Nashville this accomplished September, the accepted Southern accents of the performers and attendees meshed with that of association from the United Kingdom, Australia and Scandinavia.

The all-around ability of music of all stripes isn’t out of the ordinary, with the growing above of alive casework and amusing networking. But this new beachcomber of folk, bluegrass and acceptable country artists and festivals bustling up throughout Europe and Australia feels like echoes of antecedent movements like the British Invasion, aback acts like The Animals and Rolling Stones adopted American dejection and R&B.

This all-embracing absorption in Americana is hitting aiguille levels currently, but it isn’t necessarily a huge outlier. Both U.K. and Australian admirers accept generally spotted the access amid their country’s acceptable folk music with U.S.-born roots music. Along the way, they’ve additionally accepted a cardinal of American country and folk artists, including Jim Reeves, Tammy Wynette and Kenny Rogers, while additionally accouterment advocacy for their calm stars (Mumford & Sons, Keith Urban, etc.)

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But as avant-garde day country and folk music about the apple has become about duplicate from pop and R&B, a cogent cardinal of admirers and artists alfresco the States accept pushed adjoin that tide, all-embracing the rootsier, rawer ancillary of those genres.

“When we aboriginal started in this world, it was accepted as alt-country,” remembers Tom Bridgewater, the architect of Loose Music, the U.K. characterization that acclaimed its 20th altogether at AmericanaFest. “I’d go to Waterloo Records in Austin and blunder above an Americana area and it was ‘Tie A Yellow Ribbon ‘Round The Old Oak Tree’ or ‘Star-Spangled Banner’ done by a assumption bandage or something. Obviously, it now has a accomplished new meaning. The Americana affair has been a advantageous awning and everyone’s all-embracing that.”

Americana’s success in the U.K. has led to some acceptable developments like the conception of a scattering of new festivals committed to those sounds like the decade-old Maverick Anniversary and newcomers The Continued Road and Black Deer Festival. All of these contest advance a advantageous antithesis of roots sounds and accompany in artists from both abandon of the Atlantic. As well, the brand has been accustomed a above addition in afterimage in the U.K. via accepted radio programs like Bob Harris Country, the now 20-year-old BBC Radio 2 show, and with the enactment of the Official Americana Albums Blueprint in 2016. Topping that blueprint so far accept been accustomed names like Van Morrison and Jack White as able-bodied as up and comers including Courtney Marie Andrews and Isaac Gracie.

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“That blueprint has accustomed Americana some array of gravitas,” Bridgewater says. “People booty apprehension of that. That helps us from a business angle if you can get a top bristles into that chart. They’re not huge numbers actuality awash but it’s article that’s been significant.”

The lineups for those festivals and the Americana Albums Blueprint additionally reflect the ascent course of newcomers to this genre, abounding of them acclamation from above America’s shores but award acceptable aerial and eyes here. The agenda for this year’s AmericanaFest, for example, was dotted with showcases organized by arts organizations like Sounds Australia, British Underground and the Americana Music Association UK, all of which put the spotlight on acts from their corresponding homelands.

One accumulation that was visiting Nashville aftermost ages was The Wandering Hearts, a arresting quartet from London who appear their admission feature Wild Silence in February. Theirs is a actual avant-garde booty on Americana, with the access of radio pop artists like Fleetwood Mac and Brandi Carlile found in bright barge of the album’s production. Live, the accumulation strips their music aback to its roots core, afraid to acoustic chart and their blood-tingling four-part articulate harmonies.

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The associates of the group—Tim Prottey-Jones, Francesca Whiffin, AJ Dean and Tara Wilcox—were all music lifers, accomplishing assorted degrees of success in England, aback they affiliated for the aboriginal time aloof three years ago. The four affirmed over a alternate adulation of artists like Carlile and Chris Stapleton and anon became accompany and collaborators.

Where the adventure went from there has the aroma of legend. Afterwards alone their additional time autograph music as a unit, the accumulation uploaded a brace of songs to SoundCloud. Aural hours, they were offered a administration accord and aural months were airtight up by Decca Records. Their aboriginal cruise to Nashville was at the bidding of bluegrass fable Marty Stuart who offered them a atom aperture for him at the appropriately allegorical Ryman Auditorium.

Perhaps due to their aggregate adventures in the music industry, the Hearts accept kept a akin arch about all this, and a faculty of humility. Aback I sat bottomward with them in their Airbnb in East Nashville and asked if they anticipation this cyclone of action was due to the surging contour for Americana in the U.K., they all bound and audibly agreed.

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“I anticipate there was a aeon area administration and the characterization were acquirements what we were about,” Prottey-Jones says. “Even if they active us beneath the pretense of ‘This is U.K. country,’ whatever that may complete like. I admiration whether accepting them see us alive a few times that they accomplished that we weren’t that country. We were a complete that bodies absolutely enjoyed irrespective of genre. I anticipate they absolutely accepted what we were rather than what they maybe thought.”

For as abundant as they shy abroad from attached themselves to a accurate genre, the Hearts are absolutely accomplishing what they can to attending the allotment of a avant-garde Americana group. Aback I met up with them, Dean was antic a ample belt catch and Prottey-Jones had on one of abounding sleeveless flannel shirts. Wilcox and Whiffin meanwhile dressed in denim and continued dresses, attractive like representations of the two abandon of accomplished changeable country fashion. They’re additionally arresting as abundant of the accurate Nashville adventures as accessible during their abbreviate stay.

“Maybe this sounds a bit apish or cheesy,” Dean says, “but what anybody does in this burghal for a job about doesn’t matter. As Music City, it feels like everybody has a vested absorption in collectively authoritative acceptable music happen. That’s why it’s been so admirable to be an artisan or alike aloof an admirers affiliate here. That involving association faculty that they accept that we’re borrowing from.”

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For added artists from alfresco the U.S. who comedy Americana, Nashville has become the destination, not aloof a endlessly point. Singer-songwriter Rebecca Chilcott, who performs abstracted country pop beneath the name Ruby Boots and whose contempo anthology Don’t Talk About It was appear by roots-centric characterization Bloodshot Records, confused there from her built-in Australia aloof over two years ago. She was accepting some akin of acclamation aback home, snapping up Best Country Music Act ceremoniousness at the Western Australian Music Industry Awards, but she saw aboriginal on that there was alone so far she could booty her career if she ashore around.

“You accept to be here,” she says, sitting backstage afterwards a achievement at Sounds Australia’s Aussie BBQ, a day affair captivated at admired Nashville dive The 5 Spot. “Unless you’re one of the advantageous few like Courtney Barnett or Tame Impala. For best of us, we accept to assignment our fucking asses off aloof to get to a abode of sustainability. If you’re not on the arena here, I don’t see annihilation absolutely accident for you.”

That activity is aggregate by the association abaft organizations like British Underground and Sounds Australia. Both groups accord baby outlays of banknote to artists from their corresponding countries to advice armamentarium trips to the U.S. for showcases and tours. Or, in the case of singer-songwriter Josh Rennie-Hynes, there’s a adventitious to backpack to America with the advice of the government. He afresh accustomed the Nashville Songwriters Residency from the Australia Council For The Arts, acceptance him to move to Music Burghal and assignment on his craft. Aback I bent up with him at the Aussie BBQ, he was demography a bit of a achievement lap accepting aloof accomplished the recording of his third album, which finds him aiming for a added abrasive complete à la his idols Tom Petty and Paul Westerberg.

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“Americana is such a baby affair in Australia that to do it there, alike for a moderately acknowledged artist, you’re still activity to be struggling,” Rennie-Hynes says. “I don’t appetite it to complete like I larboard Australia to be a big star. I’ll go back, for sure. But for me at this point in my career and my life, I bare to appear actuality and do what I’m accomplishing now, to be about amazing writers and players.”

What hasn’t happened is for a new Americana artisan from Australia or Europe to acquisition some austere bartering basement in the States. Mumford & Sons have helped block the aperture accessible with their multiplatinum sales with adolescent roots artists like Aboriginal Aid Kit, Daniel Norgren and My Bubba authoritative some inroads. That doesn’t assume to be aggravation any of the artists or industry folk who were at this year’s AmericanaFest. To a person, they all echoed one big assignment that they’ve abstruse from visiting Nashville or blockage there for continued stretches: you don’t accept to be a brilliant to feel like a success story.

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“When we came out here,” says the Wandering Hearts’ Dean, “it reminded us that aggregate that goes on in this industry and aggregate you anticipate you should be to fit in with that, you are reminded how simple it can be. We address music. We comedy music. We adore it. And if you accumulate accomplishing that and you can accomplish a active from it, again you’ve got it made.”

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