The No Comply Arrangement is a London-based, UK-wide arrangement of artistically artistic skateboarders, founded by Birmingham-born skater Jason Caines. Every week, we’ll be profiling a new No Comply member.
Felix Weatherall makes cyberbanking music beneath the alias Ross from Friends. You may already apperceive of him; it’s not an alias that’s accessible to forget. We met by adventitious afterwards I’d been annular a friend’s abode bumping Felix’s song, “Talk to Me You’ll Understand”, and he asked me how I’d heard his housemate’s music. I’d affected Ross from Accompany was American, not some English dude who lived bottomward the alley from me.
Right now, Ross from Accompany is continuing to annihilate it, with dates appointed all over the apple and his music actuality appear by Flying Lotus’ characterization Brainfeeder. What abounding of his admirers don’t apperceive is that it was skateboarding that originally got Felix stoked on authoritative music. We had a babble about skating and agreeable creativity, the skate brands that affect him and why he’s consistently alert out for article that makes him think, ‘That’s so dumb.’
For me, there has consistently been an important accord amid skateboarding and music. Not alone in a anon acoustic faculty – which you see generally in a skaters’ music best in their video parts, which generally epitomises their personality and tastes – but additionally that you apprentice through actuality aloft in skate culture, a affiliation of musically and creatively-minded people: my friends.
As a kid, skateboarding was all about accepting fun and accomplishing the goofiest tricks you could to accomplish your mates laugh. This aspect of skateboarding for me hasn’t afflicted at all. I adulation to not booty skateboarding seriously, and try to accumulate it how it was for me aback I was younger. I adore skaters like Kevin Rodrigues, who skates for Fucking Awesome; Jamal Smith; and, of course, Mark “The Gonz” Gonzales, who – alongside actuality badly accomplished – accept acutely all ashore to that aforementioned ethos, and in accomplishing so accept become arresting abstracts in skating.
The goofiness and homesickness that I adulation about skateboarding absolutely resonates with my accord to music; there’s no agnosticism the two are connected. Aback I’m authoritative or alert to music, the genitalia that consistently angle out to me are the ones that accomplish me laugh, or think, ‘That’s so dumb’ – it adds to the fun aspect of music.
As able-bodied as this, bulging a activity of homesickness can be such a admirable apparatus in any artistic practice; it gives the adviser or the eyewitness the adeptness to booty themselves aback to a point in their lives that they accept a accurate anamnesis of, and adore it in a avant-garde setting. This is article I achievement comes beyond in my own music.
I’ve consistently been aggressive by The Trilogy Tapes (TTT), a almanac characterization headed up by Will Bankhead, one of the designers at Palace Skateboards, and Rezzett. They were all front-runners of the accomplished awakening VHS movement and its affiliation with ball music and skateboarding. Aback I aboriginal saw Palace and Rezzett’s videos in 2013, the artful anon absorbed me and abundantly aggressive me to agreement with the aforementioned activity in music production.
At the moment, I’m absolutely into Absurd Skateboards. I feel like they’re capturing that aforementioned aspect that Palace did, area they’re accumulation skating with ball music and that activity of nostalgia. The homesickness with Absurd feels like it’s added a advertence to an aboriginal DIY YouTube generation, with Windows Movie Maker effects, bruised green-screen assignment and stop-motion animation. I absolutely like it, though. Their videos alien me to a lot of abundant music as well.
My affairs for the future? I’m consistently authoritative music, and I’m alive on some abandoned fun collaborations.
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