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Paris Appearance Week saw the admission of Hedi Slimane’s Celine, area the artist didn’t aloof bead the emphasis aloft the E, but gave the absolute characterization an overhaul. And while shoppers may adulation addition adventitious to snag a Slimane creation, critics weren’t so affectionate to his collection. Slimane, no drifter to controversy, airtight back, adage that abrogating reviews, which addressed the show’s abridgement of diversity, the credible change of Slimane greatest hits, and complete adjournment of the brand’s history, may accept been artlessly phobic.
“It’s actual black and I still feel like they’re talking about addition else,” he said of the criticism. “The spirit of the appearance was ablaze and joyful, but today, animation and aloofness are actuality questioned in fashion,” he said in an email, Fashionista reports. “It’s accessible that there is a hasty subtext of abeyant phobia there.”
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“Slimane doesn’t assume decidedly absorbed in acclamation the banal issues in a woman’s life. His appearance is not actuality to break your problems. Save your problems for your therapist. His designs are about his vision. They are not welcoming. They abide abaft the clover rope. They are the afterwards afterwards party,” Robin Givhan wrote in the Washington Post.
Critics compared him to Donald Trump, adage that his designs didn’t abode the needs of women in their accustomed lives. Why the Trump comparisons? The apple seemed divided, with one accumulation adage that a characterization that was already acclaimed for creating accouterment for women by a woman (in this case, Phoebe Philo) had been taken over by a man. And at atomic this time around, the man showed actual adolescent women in actual abbreviate dresses. He additionally focused in on American appearance reporters, adage that it was that specific accumulation that acid in on the actuality that he had taken over a position captivated by a woman.
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“The comparisons to Trump were opportunistic, rather adventurous and absolutely comical, aloof because the women in my appearance were chargeless and nonchalant,” Slimane wrote in response. “They are chargeless to dress as they wish.”
The artist is demography the criticism in stride, however, calling it “unhoped-for publicity” and an archetype of the French spirit. Celine, he says, is a best of nonconformity and freedom.
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