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Late one night aftermost year at New Haven’s Anchor bar, author and TV biographer Rolin Jones and his amphitheater pals, active by the activity they were accepting with the “These Paper Bullets!” assembly at Yale Rep, and absolved by alcohol, started to allocution about the affectionate of amphitheater aggregation they’d like to create.

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It would be new, altered — unique. It would accommodate air-conditioned artists broadcast all over the country. The aggregation wouldn’t be ashore in one architecture or alike one bounded place. Productions would be entertaining, fun, inventive. The new amphitheater aggregation ability alike own a racehorse — and maybe the Anchor bar, too.

The academic has now affronted into reality. Jones active a two-year arrangement in January with 20th Century Fox Television to advance projects for arrangement and cable through his assembly company, New Neighborhood.

The accord — exact dollar amounts were not appear — additionally gives Jones the banking abetment to actualize what could be a new business and extensive artful archetypal for bearing alive affected shows, whether it’s on a bounded stage, in a bar, or alike on a alternation activity bank to coast, all projects that are now in the works.

“It’s not your grandfather’s amphitheater company,” says Jones.

Jones compares the group’s casual spirit to a ambulant covering revival, to the indie almanac characterization Sub Pop, and best extravagantly, to a cocktail affair that gets out out ascendancy in its blitheness and “spills barefooted assimilate the lawn,” as its “non-mission” account reads.

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Cloe Poisson, Courant book photo

Like its afire logo, created by artist and clear biographer Seth, the accumulation is proceeding like a abode on fire. As anon as the Fox accord was signed, Jones started texting association in earnest, abounding associated with the Rep and the assembly of “These Paper Bullets!”, some second-in-commanders attractive for beginning artful outlets and some “artists who aren’t alike amphitheater artists.”

This weekend at Louisville’s Festival of New American Plays — a high-profile bounded amphitheater acquisition — New Neighborhood will barrage its amphitheater component, acquaint the “neighbors,” appearance off its website (newneighborhood.net), allotment its formula-breaking aspirations, and examination its accessible productions, including a apple premiere in the Massachusetts Berkshires in July.

Then it’s on to Los Angeles in the abatement with the Rep’s assembly of its accurate hit, “These Paper Bullets!” at the Geffen Playhouse, followed by a run aing bounce at New York’s Atlantic Theatre Company, area three songs accept been added to the appearance by Green Day’s advanced man Billie Joe Armstrong. (Jones is scripting the becloud adaptation of Broadway’s “American Idiot,” based on the band’s abstraction album.)

“New Neighborhood is project-based,” says Jones, 42. “We acquisition the work, again agent and get the hell out of anniversary other’s way. We don’t charge to get 30 bodies on a appointment alarm to get things done. It’s mostly affection reigns, afterward the Quaker Prayer Meeting area you sit and delay for the spirit to booty over, area addition says, ‘We are accomplishing this!’ and anybody looks about and goes, ‘They charge accept it so it charge be acceptable and we’re all in.’ “

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Following its launch, Jones will footfall aback and be “aggressively focused” on the hour-long television ball he is developing for Fox, “Dependable Dittmers, We Sell Cars,” aggressive by the “129 Automobiles” adventure on NPR’s “This American Life.”

Jones’ added TV autograph credits accommodate “Weeds,” “Friday Night Lights,” “United States of Tara” and “Boardwalk Empire.” He additionally served as a co-executive ambassador on NBC’s “Smash.”

Unlike best amphitheater companies, New Neighborhood will be a aggregation that physically comes calm as anniversary activity necessitates at a amphitheater that it will be co-producing with, accouterment the host amphitheater with its product, expertise, activity — and some accessory money.

It additionally will arise a advanced (and wild) ambit of shows absolute alone — with affliction to Lorenz Hart — by its hobo-hemian aesthetic, embodied by Jones himself, the wiseguy with degrees.

Modern Idea

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“The abstraction of New Neighborhood seems avant-garde to me,” says Jackson Gay, administrator of the aboriginal three productions by the group, “because now you can be anywhere. You don’t all accept to alive in the aforementioned city, but you can still accept a community. You can assemble back it comes time to do fun work, and again anybody leaves until the aing time.”

Several bodies are added complex in the circadian workings, says Gay, but best are alleged to activity for specific projects, depending on their interests. “That’s actual ambrosial to the group, who accept added full-time jobs, careers and families.”

Unlike companies apprenticed by adolescent artists aloof starting out, New Neighborhood is abounding with artists who accept been about the block, mostly mid-career creatives with a ample arrangement of cogent credits and contacts.

“It’s not about [making connections] anymore,” says Gay during a breach from rehearsals for Yale Rep’s premiere of “Elevada.” “We already apperceive so abounding bodies now that it makes things abundant easier and added exciting. Sometimes back bodies alpha amphitheater companies aboriginal on it’s so adamantine that they get austere out, disappointed, blah and affronted and again quit. We’re already blah and angry. No, kidding.”

The appearance the accumulation is co-producing with the Berkshire Theatre Accumulation in Stockbridge, Mass., reflects its playful-but-smart affection with able music and architecture elements. “We’re attractive for article in all of the assignment we do,” says Gay, “that has amusement but additionally has a lot of heart, a abode for music, that’s absorbing and that has an ‘event’ aspect to it.”

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That describes Suzanne Heathcote’s “I Saw My Neighbor On the Alternation and I Didn’t Alike Smile,” which Gay is directing, featuring aggregation affiliate Keira Naughton in the offbeat adventurous comedy, which additionally includes alive music by Ryan Kattner of the band accumulation Man Man.

Challenges, Too

The extensive concrete realities of the accumulation do affectation challenges, says Gay, and advice is key. “We’re a big family, and you accept to be abiding we’re all talking together.” Also, she says, the abnormal roles of the associates “can becloud lines.”

Indeed, aing to the names of the 33 aggregation associates are antic roles not generally associated with amphitheater companies. In New Neighborhood, Gay is listed as “green grocer,” Jones as “crossing guard,” Rep author Catherine Sheehy is “coroner” and Jennifer Kiger, accessory artful administrator at the Rep and administrator of new comedy programs at Yale’s Binger Center for New Theatre, is “scout leader.”

Kiger says New Neighborhood has the abounding abutment of Yale’s James Bundy, administrator of the ball academy and the Rep’s artful director, who was a best of the accelerated development and all-embracing assembly “Bullets!” There is no administration at the Academy of Drama, because adroitness associates are accepted to be alive artists above Yale, she says.

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New Neighborhood additionally supports its associates gluttonous to footfall alfresco accustomed roles — and abundance zones. It reminds Steven Padla, Yale Rep/Yale Academy of Drama’s communications administrator (and listed as the Neighborhood’s “paper boy”), of the art-in-an-instant collaborations at the Yale Cabaret, area acceptance at the Academy of Ball accomplish assorted functions in bearing its edgy, eclectic, on-the-fly shows.

It’s a bearing arrangement Jones knows well, accepting gone to the academy as a author from 2001 to 2004.(His “The Intelligent Architecture of Jenny Chow,” was produced at the Rep — and went on to become a 2006 Pulitzer Prize finalist and acquire Jones an Obie Award.)

Even the business archetypal is new, with the accumulation accepting a budgetary advocacy beneath the awning of a nonprofit organization, so it can fundraise tax-free dollars, says Kiger. This allows the accumulation to ambition its money against the art and not the authoritative infrastructure.

The start-up money via the Fox accord — “the adventitious banking abetment of Rupert Murdoch,” the group’s advertisement puckishly says — is modest, at atomic for the present, but Jones says there are some deep-pocketed accompany who could be accessible as it develops projects bottomward the road.

And again there’s those off-stage efforts. Jones, some Yalies and a bounded restaurateur are planning to accomplish a bid to buy the now-shuttered, much-beloved Anchor bar, a watering aperture and alliance for author Thornton Wilder, which was anon beneath Jones’ $400 a ages accommodation back he was a apprentice at Yale and — best advisedly to Jones — area New Neighborhood began.

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