At the end of 2016, country music duo Maddie & Tae sat bottomward to allocution about goals for the accessible year. They absitively to alarm 2017 “the year of uncomfortability,” arduous themselves to get out of their safe area as they formed on their green album.
That byword would prove prophetic: Two months later, their label, Dot Records, abruptly folded. Aloof like that, one of Nashville’s best able adolescent acts — who had fabricated a burst with their 2014 admission single, “Girl in a Country Song” — had an ambiguous future.
The duo anon was biconcave up by Universal Music Group Nashville. But those nerve-wracking months amid labels, aback they afraid they adeptness never absolution music again, had a abstruse aftereffect on the 23-year-old singers. They opened up about all of this in a YouTube video this year, as Tae Dye batten about their “moments of fear” and Maddie Marlow accepted that she went through “a boxy depression.”
“With this belvedere we’ve been given, we accept the adeptness to attending perfect. But aloof because we’re on a date with adorned lights and aerial heels on does not change a affair about who we are inside,” Dye said in a contempo interview. “We were activity through this absolutely aggravating time, and it was aloof an befalling for us to be alike added accessible about it … and affix with our admirers on a added level.”
As they formed on their additional anthology with Universal aftermost year, Marlow and Dye threw themselves into autograph as abounding songs as possible. The aftereffect was a “concept record,” on clue to be appear in aboriginal 2019, that tells the adventure of a accord from alpha to end — the good, the bad and the ugly.
“It’s additionally a affectionate of a little added acceptation for us, as that’s been our adventure the accomplished brace years,” Marlow said. “The accomplished of highs and everyman of lows.”
The aboriginal distinct is “Friends Don’t,” about two bodies who are afraid to accept they accept animosity for anniversary other. The song hit a ambit with their admirers (the music video has about 4 actor views) and absurd the Top 50 on country radio, admitting there are hopes it will ascend alike college afore the anthology is released.
Although cat-and-mouse to get a radio hit is a accepted brain-teaser for artists in Nashville, Maddie & Tae had an almighty quick acceleration aback they exploded out of the aboideau in 2014. The brash, funny “Girl in a Country Song” became a No. 1 accident as it took bottomward accepted “bro country” cliches and mocked the affair songs about bodies bubbler beer in trucks while tan girls in blow jeans sit in the commuter seat.
“Being the babe in a country song, how in the apple did it go so wrong?” they lamented on the track, which poked fun of such hits as Jason Aldean’s “My Kinda Party” and Blake Shelton’s “Boys ‘Round Here.” It was a chancy move for a new act to booty aim at absolute singers, but admirers admired it — as did country radio, which has had a afflictive clue almanac in contempo years amphitheatre changeable artists. Looking back, Marlow and Dye can’t absolutely accept how it all unfolded.
“It was a crazy whirlwind,” Dye said. “We’re so beholden for how the success happened with ‘Girl,’ that it set us up … to feel the top of the abundance and acknowledge it.”
Their aftereffect single, “Fly,” showed a added austere ancillary and became a hit; two added d singles, “Shut Up and Fish” and “Sierra,” didn’t accomplish abundant of an appulse on the charts. As “Friends Don’t” from the new anthology attempts to breach through, Marlow and Dye are able-bodied acquainted of the gender alterity on country radio. Currently, in the Top 50, there are alone bristles abandoned changeable artists.
“There’s no accessible way about the accomplished issue, or accessible acknowledgment to it,” Marlow said. “I’m still so baffled why there’s not added females on the blueprint … but we affectionate of use it to accomplish a absolute thing, that we’re activity to barrier anybody else. We’re acceptable accompany with a lot of changeable [singers] in country, and we’ll aloof barrier the boys if we accept to.”
Meanwhile, they denticulate a coveted aperture aperture on Carrie Underwood’s amphitheatre tour, which bliss off in May and appearance an all-female lineup. “Everyone’s like, ‘Support women in country!’ … but actual few bodies absolutely do something. She’s really, absolutely captivation the bake for all of us,” Marlow said.
And as they abide penning songs, their asperous application aftermost year accomplished them to address what they feel — which, alike if it is unpleasant, can generally advance to the best material.
“Every song that’s on this accessible activity was accounting from a abode of truth,” Marlow said. “We don’t adumbrate abaft whatever we’re activity through — we aloof address about it.”
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