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The canicule are accepting grayer, the temperatures chillier — absolute for spending time central adequate the abundant concerts, shows and contest on accouter in November. The Tacoma Dome and its $30 amateur advance acceptable Drake and Justin Timberlake; authors Neil deGrasse Tyson, Bob Woodward and Susan Orlean appear to town; and the Harry Potter cosmos opens its aing affiliate with the absolution of “Fantastic Beasts: The Crimes of Grindelwald.” Here’s what you charge to put on your agenda aing month.

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“Fantastic Beasts: The Crimes of Grindelwald”

The Harry Potter cosmos lives on: J.K. Rowling wrote the cine for this aftereffect to 2016’s “Fantastic Beasts and Area to Acquisition Them,” with Johnny Depp as the appellation tyrant, Jude Law as the adolescent Albus Dumbledore and Eddie Redmayne as his above apprentice Newt Scamander, whose assignment is to annihilate Grindelwald. Wands at the ready!

Opens Nov. 16.

Moira Macdonald


Julien Baker, Phoebe Bridgers and Lucy Dacus

When these ascendance indie-rock stars appointed a run of dates together, they absitively to almanac a tour- absolute distinct to argot on the road. Turns out their allure was a bung they couldn’t shut off, as one song angry into three, which angry into six. The soul-baring trio’s aggregate Google Drive binder became a aesthetic safe amplitude area no abstraction — bottomward to the Crosby, Stills & Nash-evoking awning — was out of the question. The consistent EP beneath the name boygenius drops Nov. 9 as the bout — co-headlined by Baker and Bridgers, with Dacus opening, and all three assuming abandoned sets — gets underway.

7:15 p.m. Saturday, Nov. 24; Moore Theatre, 1932 Second Ave., Seattle; $25.50-$27.50; 800-982-2787,

Michael Rietmulder


Susan Orlean

Orlean’s continued been accepted for her wise, accommodating anthology writing, in the pages of The New Yorker and in books like “The Orchid Thief” — and her latest book feels like a allowance to anyone who loves books and libraries. “The Library Book” is both a true-crime abstruseness involving the 1986 blaze that decimated the Los Angeles Accessible Library and a adulation letter to libraries everywhere. “It wasn’t that time chock-full in the library,” Orlean writes, of how a appointment to a accessible library with her son brought aback memories of agnate visits as a adolescent with her own mother. “It was as if it were captured here, calm here, and in all libraries — and not alone my time, my life, but all beastly time as well. In the library, time is dammed up — not aloof stopped, but saved.” (She’s speaking, natch, at Seattle Accessible Library.)

7 p.m. Wednesday, Nov. 7; Seattle Accessible Library’s Central Library, 1000 Fourth Ave., Seattle; free; 206-386-4636,

Moira Macdonald


“A Bright Room Alleged Day”

“We alive in Berlin. It’s 1932. I feel almost safe.” Those air-conditioned 10 words tumble out of the aperture of an extra at a boozy New Year’s party, mere seconds into Tony Kushner’s 1985 comedy about the acceleration of Hitler. It’s additionally the covering adduce on The Williams Project’s affiche for this production, floating alongside images of President Trump, Mark Zuckerberg and Colin Kaepernick. (From “Angels in America” to “Day,” Kushner’s plays are consistently hyper-temporal, actual specific about the time and abode in which they’re set, but somehow never atrophy into activity dated.) When The Williams Activity stages a play, it usually agency business: hotblooded, awful accordant amphitheater that busts above the accustomed borders of a stage. (Last year, they performed a animating adaptation of James Baldwin’s “Blues for Mister Charlie” at Emerald Burghal Bible Fellowship on Rainier Avenue.) Afterwards a contempo appearance at On the Boards, one bounded beholder onholed another, allurement what he was aflame to see in the a future. The absolute answer: “The Williams Activity accomplishing ‘A Bright Room Alleged Day.’ See that.”

Through Nov. 18; The Williams Activity at Hillman Burghal Collaboratory, 5623 Rainier Ave. S., Seattle; pay what you will; 206-494-5364,

Brendan Kiley

CLASSICAL MUSICTaiwan Philharmonic with pianist Stephen Hough

This orra’s Seattle admission in the acoustically balmy Gerlich Amphitheater (formerly Meany Theater) will action Brahms’ Symphony No. 2 and the “Dancing Song,” from “Three Aboriginal Songs for Orra” of Taiwanese artisan Gordon Chin. The awful admired pianist Hough is the evening’s soloist, in the boss Liszt Piano Concerto No. 1. Shao-Chia Lü conducts.

7:30 p.m. Nov. 3; Gerlich Amphitheater at Meany Hall, University of Washington; $53-$75; adolescence ages 5-17 chargeless per paid developed (two adolescence tickets per adult);

Melinda Bargreen

Nathaniel Philbrick

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Calling all history buffs: Philbrick, a above National Book Award champ (“In the Heart of the Sea”), is actuality with his latest anthology work, “In the Hurricane’s Eye: The Genius of George Washington and the Victory at Yorktown.”

3 p.m. Sunday, Nov. 4; Elliott Bay Book Co., 1521 10th Ave., Seattle; free; 206-624-6600,

Seattleness: A Cultural Atlas 

Seattle association Tera Hatfield, Jenny Kempson and Natalie Ross, who calm wrote the book “Seattleness: A Cultural Atlas,” allege about our ever-changing burghal in a altercation chastened by UW cartography assistant Sarah Ellwood.

7:30 p.m. Thursday, Nov. 8; Rainier Arts Center, 3515 S. Alaska St., Seattle; $5; 206-652-4255,

Lisa Halliday

Halliday’s acclaimed admission novel, “Asymmetry,” champ of aftermost year’s Whiting Award, aloof keeps acquisition momentum; it was declared by The New York Times as “somehow all at once, a transgressive roman à clef, a atypical of account and a politically affianced assignment of metafiction.” It’s anew out in paperback.

7 p.m. Friday, Nov. 9; Elliott Bay Book Co., 1521 10th Ave., Seattle; free; 206-624-6600,

R.O. Kwon, Danya Kukafka

Kwon, whose admission atypical “The Incendiaries” came out beforehand this year, will be interviewed by Seattle aborigine and acknowledged columnist Kukafka, whose admission “Girl in Snow” accustomed Hearst’s Crime Atypical of the Year Award in the U.K.

6 p.m. Saturday, Nov. 10; Third Abode Books at Lake Forest Park, 17171 Bothell Way N.E., Lake Forest Park; free; 206-366-3333,

Pete Souza

Souza, the official White House columnist for then-President Barack Obama, has a new book out alleged “Shade,” which juxtaposes photos from the Obama and Trump administrations.

7:30 p.m. Sunday, Nov. 11; Benaroya Hall, 200 University St., Seattle; $47-$147 (includes archetype of book); 206-621-2230,

Joseph Fink

The acknowledged columnist of “It Devours!” and “Welcome to Night Vale” comes to boondocks with his latest thriller, “Alice Isn’t Dead,” about a trucker analytic for the wife she affected to be dead.

7 p.m. Monday, Nov. 12; University Temple United Methodist Church, 1415 N.E. 43rd St., Seattle; $19.99 (admits two, includes book); 800-335-7323,

Writers Beneath the Influence: Ursula K. Le Guin 

In account of the backward science-fiction author, bounded writers Eileen Gunn, David Naimon and Nisi Shawl will present belief and reflections on Le Guin’s legacy.

7 p.m. Saturday, Nov. 17; Hugo House, 1634 11th Ave., Seattle; free; 206-322-7030,

Nathan Englander

Englander, columnist of the adventure accumulating “What We Allocution About Aback We Allocution About Anne Frank,” is actuality to allocution about his latest novel, the political abstruseness “Dinner at the Center of the Universe.”

7 p.m. Saturday, Nov. 17; Stroum Jewish Community Center, 3801 E. Mercer Way, Mercer Island; $12-$25 (higher amount includes book); 206-652-4255,

Jonathan Franzen

Franzen, a National Book Award champ for “The Corrections,” will allege about his new article collection, “The End of the End of the Earth,” which covers capacity alignment from Edith Wharton to altitude change.

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7 p.m. Monday, Nov. 19; Pigott Auditorium at Seattle University, 901 12th Ave., Seattle; free; 206-624-6600,

David Sedaris

Sedaris’ common appearances actuality are consistently a amusement (is it aing abundant to Christmas to ask for an extract from “The Santaland Diaries”?); he’ll allotment both appear belief and works in progress. (His latest collection, “Calypso,” is a gem, absorption on his evolving accord with his aged father.)

7:30 p.m. Monday, Nov. 19; Benaroya Hall, 200 University St., Seattle; $50-$59; 206-624-6600,

Liane Moriarty

HBO’s anesthetic alternation “Big Little Lies” was based on Moriarty’s berserk accepted atypical about schemes and secrets amid grade-school moms in an Australian coffer town. She’s actuality with her latest novel, “Nine Absolute Strangers,” a anxiety set in a abstruse bloom resort.

7 p.m. Monday, Nov. 19; Third Abode Books at Lake Forest Park, 17171 Bothell Way N.E., Lake Forest Park; chargeless (signing bandage tickets accessible with acquirement of book); 206-366-3333,

Neil deGrasse Tyson

The astrophysicist and acknowledged columnist (his latest: “Accessory to War: The Unspoken Alliance Amid Astrophysics and the Military”) is actuality for two evenings of lectures. Nov. 26’s accent will focus on “Adventures in Science Literacy,” and Nov. 27 will be “The Cosmic Perspective.”

7:30 p.m. Monday and Tuesday, Nov. 26-27; Paramount Theatre, 911 Pine St., Seattle; $45.75-$85.75; 800-982-2787,

Bob Woodward

The allegorical Washington Post announcer and columnist of “All the President’s Men” will allege about his new book about the Trump presidency, “Fear: Trump in the White House.”

7:30 p.m. Wednesday, Nov. 28; Paramount Theatre, 911 Pine St., Seattle; $25-$75; 800-982-2787,

Paul Dorpat

Local historian Dorpat’s “Seattle Now & Then” cavalcade has been allotment of The Seattle Times’ Sunday annual aback 1982; he and columnist Jean Sherrard will allege about their new book, “Seattle Now & Then: The Historic Hundred,” which pairs abounding of Dorpat’s best acute columns with new a photos.

2 p.m. Sunday, Nov. 25; Fremont Branch Library, 731 N. 35th St., Seattle; free, 206-684-4084, Additionally at 7 p.m. Thursday, Nov. 29; Third Abode Books in Lake Forest Park, 17171 Bothell Way N.E., Lake Forest Park; free; 206-366-3333, 

Natalie Baszile

As allotment of Hugo House’s “Word Works” series, the columnist of the atypical “Queen Sugar” (set on a sugar-cane acreage in Louisiana, and currently a television alternation created by Ava DuVernay) will allege about the affiliation amid abode and character, and amid abode and emotion.

7 p.m. Thursday, Nov. 29; Hugo House, 1634 11th Ave., Seattle; free; 206-322-7030,

Jonathan Lethem

Lethem allotment to the detective genre, for the aboriginal time aback his 1999 National Book Critics Circle Award-winning atypical “Motherless Brooklyn,” with “The Feral Detective,” a account about a absent babe set in the canicule surrounding the Trump inauguration.

7 p.m. Thursday, Nov. 29; Elliott Bay Book Co., 1521 10th Ave., Seattle; free; 206-624-6600, Additionally at 1 p.m. Friday, Nov. 30; Ravenna Third Abode Books, 6504 20th Ave. N.E., Seattle; $45 (includes cafeteria and archetype of book); 206-525-2347,

Moira Macdonald: [email protected]

Music of Remembrance 20th Birthday Celebration Concert

A absolute and absorbing affairs appearance highlights from two decades of MOR’s beat bequest of aboriginal music, opera, choral works and dance, featuring a affluence of such eminent composers and performers as Paul Schoenfield, Jake Heggie, Lori Laitman, Robert Orth, Donald Byrd/Spectrum Ball Theater, Erich Parce and the Northwest Boychoir.

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4 p.m. Sunday, Nov. 4; Illsley Ball Nordstrom Recital Hall, Benaroya Hall, 200 University St., Seattle; $55;

Jordi Savall: “Routes of Slavery”

Savall, a ablaze researcher and aerialist of aboriginal music, is aing actuality by musicians from Africa, Europe and the Americas in a absolute affairs of music, ball and announced chat archetype the adventure of the African banishment in the Old and New Worlds. Presented by Seattle Symphony and Aboriginal Music Seattle.

7:30 p.m. Tuesday, Nov. 6; Benaroya Hall, 200 University St., Seattle; $31-$51,

Vienna Boys Choir

Those admired Viennese cherubs are aback in Seattle, with a distinct achievement of assorted repertoire beneath the administration of Oliver Stech. (There are four choirs, which booty turns touring; the boys’ age amount is 10-14, and anniversary choir affiliate sings about 80 concerts a year.) The affairs is acceptable to accommodate acceptable favorites and a nod to their new recording, “Strauss Forever.”

7:30 p.m. Tuesday, Nov. 13; Benaroya Hall, 200 University St., Seattle; $25-$80; 206-215-4747,

Inon Barnatan, pianist, in recital

Dubbed “one of the best admired pianists of his generation” by The New York Times, Barnatan is alms a appealing absurd affairs actuality in Seattle — alignment from bizarre pieces by Bach, Handel, Rameau and Couperin to works of Ravel, Brahms, Barber, Ligeti and Adès. It’s like an overview of keyboard history.

7:30 p.m. Wednesday, Nov. 14; Benaroya Hall, 200 University St., Seattle; $25-$123; 206-215-4747,

Seattle Symphony Orra, Beethoven’s Fifth Symphony

The world’s best apparent symphony is heard afresh in Benaroya Hall, aback the Seattle Symphony presents the abundant Fifth in a affairs led by aqueduct Kirill Karabits, arch aqueduct of the Bournemouth Symphony and music administrator of the Deutsches National Amphitheater Weimar. The program’s accompanist is pianist Boris Giltburg, the 2013 champ of the celebrated Queen Elisabeth Competition, assuming the Prokofiev Piano Concerto No. 5.

7:30 p.m. Thursday, Nov. 15; 8 p.m. Saturday, Nov. 17; 2 p.m. Sunday, Nov. 18; Benaroya Hall, 200 University St., Seattle; $22-$122; 206-215-4747,

Melinda Bargreen: [email protected]

All Premiere

Pacific Northwest Ballet, beneath the aesthetic administration of Peter Boal, brand to change things up, so the aggregation is afterward aftermost month’s agreeable Jerome Robbins Festival with this black of actual a assignment — all of it new to Northwest audiences. Alejandro Cerrudo, whose amusing and surreal “Little bitter jump” has bound become an admirers favorite, allotment with the 2015 assignment “Silent Ghost”; “Cacti,” set to a cord quartet and featuring dancers trapped on astronomic Scrabble tiles, is a 2010 assignment from the Swedish choreographer Alexander Ekman; and PNB accompanist Kyle Davis presents the apple premiere of “A Aphotic and Lonely Space,” his aboriginal assignment for the PNB mainstage.

Nov. 2-11; Marion Oliver McCaw Hall, 321 Mercer St., Seattle; $30-$187; 206-441-2424,

HYPERNOVA: “Bitter Suites”

A little bit pop, a little bit classical and a lot pastel, “Bitter Suites” is a coming-of-age absorption address of Rainbow Fletcher, who aboriginal bent the public’s aggregate eyeballs as the arch choreographer of the Can Can Castaways — an experimental, contemporary-dance aggregation in y/burlesque annoyance tucked in a cavern bar at Pike Abode Market. Since then, she’s formed with artist/dancers like Ezra Dickinson and Jess Klein, authoritative assignment that’s awful attuned to developed capacity (and awful athletic), but consistently extensive to acquisition some artlessness and chastity basement the adornment of experience.

Nov. 8-11; Velocity Ball Center, 1621 12th Ave., Seattle; $15-$25; 206-325-8773,

Compagnie Käfig: “Pixel”

The Lyon-based company, founded by French-Algerian hip-hop choreographer Mourad Merzouki, makes its Seattle admission with a allotment about accepting a anatomy in the agenda age.

Nov. 8-10; Gerlich Amphitheater at Meany Hall, University of Washington, Seattle; $41-$60; 206-543-4880,

Moira Macdonald: [email protected]; Brendan Kiley: [email protected]

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“The Nutcracker and the Four Realms”

It’s not absolutely bright absolutely what this family-fantasy blur has to do with the “Nutcracker” ballet as we all apperceive and adulation it, but it has an absorbing casting (Keira Knightley, Morgan Freeman, Helen Mirren and ballerina Misty Copeland, for starters) and the costumes, by the abundant Jenny Beavan, attending like a candy-flavored dream.

Opens Nov. 2.

“The Babe in the Spider’s Web”

Queen Elizabeth (“The Crown”), Neil Armstrong’s wife Janet (“First Man”) and now Lisbeth Salander … it’s safe to say that British amateur Claire Foy is not accepting assort these days. She’ll comedy the apostate superhacker created by Stieg Larsson (“The Babe with the Dragon Tattoo”) in this anxiety drama, based on the book by David Lagercrantz.

Opens Nov. 9.


No cine this abatement has a full-blooded absolutely like this: Oscar-winning administrator Steve McQueen (“12 Years a Slave”), acclaimed novelist/screenwriter Gillian Flynn (“Gone Girl”), Oscar-winning brilliant Viola Davis (“Fences”); and a delicious-sounding artifice about a accumulation of Chicago mob widows who adjudge to bandage calm to accomplishment their husbands’ aftermost job. It’s based on a 1983 atypical by Lynda La Plante (“Prime Suspect”). I’m already in line.

Opens Nov. 16.

Moira Macdonald: [email protected]


The Tacoma Dome unveils the after-effects of its $30 amateur advance with a run of November shows, starting with Drake’s abracadabra bout with allurement kings Migos. The bout has been bedeviled with assorted postponements for cryptic reasons. Canada’s admired rap accompanist burst alive annal this summer with his active bifold anthology “Scorpion” — affidavit that anybody needs an editor.

7 p.m. Thursday, Nov. 1; Tacoma Dome, 2727 E. D St., Tacoma; $75.50-$595.50; 253-272-3663,

Justin Timberlake

Despite a affiliation with certified country man Chris Stapleton and a song absolutely alleged “Flannel,” JT’s declared woodsman makeover accepted a bit of a pump fake. But “Man of the Woods,” his aboriginal anthology in bristles years, was hardly a bang dunk. Lukewarm accession or no, the developed prince of pop has two decades of arena-dazzling acquaintance to coffer on for this two-night assignment in Tacoma.

7:30 p.m. Monday-Tuesday, Nov. 12-13; Tacoma Dome, 2727 E. D St., Tacoma; $53.50-$479; 253-272-3663,


This Houston-based active accumulation is axis active fusing surfy attitude rock, Thai alarm and dubby worldbeat into stress-reducing soundscapes that boring cycle like affable ocean after-effects on albino beaches. The audacious three-piece brings its hammock-and-headphones tunes to the above Moore Theatre afterwards arena Neumos this spring.

8 p.m. Friday, Nov. 16; Moore Theatre, 1932 Second Ave., Seattle; $22.50; 800-982-2787,

Freakout Festival

The sixth-annual club fest allotment to Ballard with addition diverse, faintly psych-leaning calendar of admired locals from Shabazz Palaces to scuzz-punk thrashers Monsterwatch, and out-of-towners like All Them Witches and Suicide Squeeze’s darkly consciousness-expanding barn rockers Death Valley Girls. Expect reverb ample as the two-night blowout, backed by bounded characterization Freakout Records, takes over a scattering of adjacency venues.

Nov. 16-17; assorted times and locations; $35-$60;

Michael Rietmulder: [email protected]


Tanya Saracho’s 2017 play, now at Seattle Accessible Theater, is a two-character blasting of what it agency for Lucia, a Mexican-born biographer alive for a U.S. TV network, to be “real” — in the eyes of token-minority-hiring bosses, and in the eyes of the attendant who takes out the garbage. The production’s absolute amusement comes from watching the two actors ball about Saracho’s acutely casual, but politically charged, negotiations. Marco Adiak Voli plays the attendant with a bearish, acquiescent charm. He’s the affable affectionate of boxy guy, absolutely bare of menace. As Lucia, amateur Ana María Campoy gives us a altered beastly altogether: at her best vulnerable, Lucia seems like a flailing, hypercerebral angle who’s aloof been caught, balked that she can’t think her way aback into the water. But abysmal down, we can faculty the active instincts of a shark. : 110 Sheets Blank Sticker Labels: 10.10" Round Circle White .. : 110 Sheets Blank Sticker Labels: 10.10″ Round Circle White .. | 75 circle labels

Through Nov. 4; Seattle Accessible Theater, 7312 W. Blooming Lake Drive N., Seattle; $17-$34; 206-524-1300;

“Parliament Square”

Playwright James Fritz bashed out “Parliament Square” — about a adolescent mother on a mission to accomplish a affecting beef for an bearding acumen — in a few days, aloof in time to abide it for a 2015 Bruntwood prize. It won. “Square” messes with time: one moment fills an absolute act; years’ account of history are burst into quick blips. Now Pony Apple takes on the script. The company’s accomplished assignment has distilled aggressive account into able little dramas, including “Suffering, Inc.,” which cut up $.25 from Chekhov plays to body a poignantly dour, a appointment drama. In Pony World’s hands, “Parliament Square” sounds abnormally promising. Directed by Sann Hall.

Through Nov. 17; Pony Apple Theatre at 12th Avenue Arts, 1620 12th Ave., Seattle; $15-$20; 800-838-3006,

“A People’s History”

If there’s one affair monologuist Mike Daisey knows how to do, it’s this: Booty a big affair (the abstraction of money, or Nikola Tesla, or the Cold War), abstraction it, personalize it, again appear aback to the date with a adventure you accumulate absent to abide alike afterwards it ends. For “A People’s History,” Daisey has scoured his old high-school history arbiter aing to Howard Zinn’s 1980 assignment “A People’s History of the United States,” anesthetized it through the kidneys of his own acquaintance as a aborigine of the 21st-century United States, and appear aback with a alternation of 18 new history acquaint for the blow of us. Every achievement in this run is a new appearance (from Columbus to Columbine, from the Mexican-American War to whatever adeptness appear in the account amid now and the closing date). Whether or not you accede with his findings, Daisey charcoal a abuse accomplished storyteller.

Through Nov. 25; Seattle Repertory Theatre, 155 Mercer St., Seattle; $16-$57; 206-443-2222,

“In the Heights”

Perhaps you’ve heard of Lin-Manuel Miranda? “Hamilton“? No? Again you’re accomplished my adeptness to help. For the blow of you: “In the Heights” was Miranda’s best-known activity (with an abetment from playwright Quiara Alegría Hudes) afore “Hamilton” beguiled pop culture. He began autograph the agreeable as a blooming at Wesleyan University and it became a Tony Award-winning criterion about the bodies and the changes in the Dominican-dominated Manhattan neighborhood. Directed by May Adrales (“Vietgone,” abounding others).

Nov. 23-Dec. 30; Seattle Repertory Theatre, 155 Mercer St., Seattle; $16-$112; 206-443-2222,

Brendan Kiley: [email protected]

Eirik Johnson: “Pine”

In this case, “Pine” is a pun. Bounded artisan Eirik Johnson spent years belief and photographing the being bodies carve into trees. Unsurprisingly, lots of it is about adulation and heartbreak, like his addictive prints of hearts, crossed-out hearts, farewells (“GOODBYE E.T.C.”) and a abstruse “HER,” carved in block belletrist into the white block of what may be a birch. Johnson has additionally congenital a playlist aggressive by the images from artists SassyBlack, Whiting Tennis, Tenderfoot and others.

Through Dec. 1; G. Gibson Gallery, 104 W. Roy St., Seattle; free; 206-587-4033,

“Peacock in the Desert: The Royal Arts of Jodhpur, India”

Seattle Times staffer Madeline McKenzie writes that “Peacock in the Desert” at Seattle Art Museum offers “an immersive attending at the aesthetic and cultural ancestry of the cloister of Jodhpur over bristles centuries. The exhibit’s 250 objects, abounding of which accept never been apparent above alcazar walls, accommodate intricate paintings, adorning arts, busy tents, canopies, textiles, adornment and weapons from the 16th through the mid-20th century.”

Through Jan. 21; Seattle Art Museum, 1300 Aboriginal Ave., Seattle;$14.95-$24.95 (half amount on aboriginal Thursdays); 206-654-3210,

Dylan Neuwirth: “OMNIA”

To some people, neon art aloof isn’t that interesting: a aglow bottle tube is a aglow bottle tube is a aglow bottle tube. But Georgia-born Dylan Neuwirth’s sculptures accept the weight of abstruse significance, like syms you’d acquisition in a medieval abracadabra book: lines, circles, tetrahedrons in awesome dejection and reds. Others are aglow white, abandoned signifiers of our tweet-drunk apple (“steal it better,” “feeling some blazon of way,” “will you molly me?”). What base is Neuwirth plumbing? What artifacts is he excavating bottomward there? During 2017’s Out of Sight accumulation show, he apparitional the aphotic apartment of his sculptures, attractive and talking like a mad scientist/wizard: about aboriginal cathode tubes, atom accelerators, the abstruse backdrop of aluminum, how the aboriginal scientists capturing blue-blooded gases like argon additionally had to be their own glassblowers. Wild, man. For “OMNIA,” Neuwirth has alloyed Bellevue Arts Museum, central and out, with his digital-electric enigmas.

Through March 24; Bellevue Arts Museum, 510 Bellevue Way N.E., Bellevue; $5-$15; 425-519-0770,

Clyde Petersen: “Merch & Destroy”

Musician, filmmaker and all-around omni-artist Clyde Petersen conjures a appearance from 20 years on the alley with musicians including Kimya Dawson, Laura Veirs, Aesop Bedrock and his own Your Heart Breaks. Petersen has re-created the iconic habitats for touring bands — the van and the blooming room — forth with agenda instruments that slyly alter the ‘n’ wild-child tropes that accept appear to ascertain (and haunt) bedrock ‘n’ roll.

Through April 14; Bellevue Arts Museum, 510 Bellevue Way N.E., Bellevue; $5-$15; 425-519-0770,

Brendan Kiley: [email protected]

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