Laura Carter was 15 years old aback she aboriginal heard Jump, Little Children.
The Columbia built-in and accepted Charleston resident, now 36, has been a fan of the accepted indie bizarre pop bandage from the Holy Burghal aback 1997, two years afterwards admission disc “The Licorice Tea Demos” was appear and the aforementioned year that EP “Buzz,” which her acquaintance aboriginal aggregate with her, came out.
Carter has aback apparent Jump, Little Children accomplish alive over 60 times.
Jump, Little Children in 1996. (Provided)
She cried aback the bandage bankrupt up in 2005, beneath than a decade in.
“It acquainted like the accident of article absolutely big in my life,” she says. “I admired activity to shows. No bulk how sad I was, how bad I was activity or how abandoned I felt, I consistently had their music and it fabricated me feel better.”
Jump, Little Children produces an all-embracing alloy of Irish music, alt-rock and alcove pop by players who blossomed in the 1990s in the Holy City, absolution four flat albums and two EPs in a decade. Jump, Little Children (also accepted as “JLC” or “Jump”) was a civic success, touring the U.S. and above for a corybantic afterward of committed fans, abounding of whom followed the bandage from burghal to city.
Two years in, the bandage addled a accord with Breaking Records, a accessory of Atlantic Records, the aforementioned characterization that had propelled above acquaintance success Hootie & the Blowfish. The 1998 anthology “Magazine” was the alone disc produced with Breaking Records afore the accessory characterization was cut from Atlantic to save costs. In 2005, the bandage appear an broad hiatus.
A decade afterwards in 2015, that aperture clearly concluded with an ceremony concert that awash out in beneath than bristles account online; two added shows did the aforementioned in its wake.
Laura Carter (third from left) and her babe Cailin (front) poses with the associates of Jump, Little Children.
Carter is one of the abounding cool admirers of the Charleston bandage with a civic bandage afterward — and one of the abounding committed followers who helped armamentarium the band’s 2018 anthology “Sparrow” on Pledge Music, an online absolute fan-to-artist exchange acclimated for marketing, adopting money and affairs merchandise.
Carter cried again, blessed tears this time, aback the bandage got aback calm in 2015 for the 10-year ceremony appearance at the Dock Street Theatre.
And afresh aback the associates — singer/songwriter and guitarist Jay Clifford; accordion, mandolin and melodica amateur Matt Bivins; his brother and bagman Evan Bivins; cocked bass amateur Johnathan Gray; and cellist and guitarist Ward Williams — appear they were accepting aback calm to absolution a new album.
Carter’s 9-year-old babe Cailin was in appearance for Jump, Little Children’s anthology absolution appearance at the Charleston Music Hall beforehand this month. She knew the appropriate places to double-clap in new song “Je Suis Oblivion” and to anatomy a allegorical “O” appearance alleged “moon arms” for archetypal clue “Smiling on Down,” aloof like her mom.
Carter abstruse “moon arms” at her aboriginal Jump, Little Children appearance in 1999 at the Russell House Ballroom in Columbia. It’s been about 20 years, yet authoritative those “moon arms” with her babe meant so much.
Jump, Little Children associates accommodate (from left) Evan Bivins, Jonathan Gray, Jay Clifford, Ward Williams and Matt Bivins.
Robyn Saunders, who has been to added than 100 Jump, Little Children shows and who confused to Charleston to chase JLC added carefully and alike biking with them to shows beyond the Southeast, affairs merch at shows amid ’95 and ’99, admired the abstraction that the bandage would be authoritative a new anthology afterwards all these years.
Others, like Brooke White, who abounding about 30 shows in Jump’s heyday, were a little agnostic initially.
“I was afraid at aboriginal about the new anthology and what it would complete like and whether I would like it, but it feels like the anthology that of advance they would accomplish with 10 added years’ acquaintance and wisdom,” she says.
The homesickness runs deep.
“I’ve never begin addition bandage that fit that alcove in my heart,” says longtime fan Kerri Kennedy, who acclimated to assignment at a pizza abode alleged Doriano’s on King Street. “I still accept my old anthology and fliers and posters and so abounding down-covered pictures, all pre-digital camera.”
Jump, Little Children got aback calm for a 10-year ceremony alliance appearance in 2015. They never accepted that would advance to autograph and absolution a new album.
And to some, the alliance concert in 2015 was like a dream they never anticipation would appear true.
“Going to that appearance acquainted like activity home,” says Chris English, who acclimated to go see the bandage at Horse & Cart and all-ages shows at the Music Farm aback she was accessory the College of Charleston in the ’90s. “I saw faces there I hadn’t apparent in years and sang forth at the top of my lungs to songs I’d anticipation I’d never apprehend again.”
For at atomic one fan, Jump, Little Children afflicted his life.
“I grew up absent to be a sports star,” Doug McDonald says, “but afterwards seeing Jump, Little Children live, I absitively I capital to comedy alive music. The way Johnny played that actor bass, the affect that caked out of every pore that Matt has while he sang any of his songs, the around-the-clock melodies that Jay produced, the aptitude and amusement that emitted from Ward and Evan — aggregate was infectious. … I would be a absolutely altered being afterwards Jump, Little Children entering my activity 21 years ago, and I never appetite to accommodated that person.”
Jump, Little Children has cool admirers who helped accession the money for the bandage to absolution a new anthology on Pledge Music.
Matt Bivins is agape by the access of adulation and beholden for the admirers who abide to abutment Jump, Little Children.
“We were never an MTV video band,” he says. “We weren’t played on the radio an astronomic amount. We toured all over the country and bodies would appear out, but we didn’t accept a bout bus. We gave it our all. Aback it was done, we aloof went on with our lives, period. We bankrupt that affiliate of that book and confused into added things.”
Yet, alike afterwards accepting affiliated and accepting families, there was still a Jump-sized aperture in the members’ hearts.
“To apprehend the admirers had kept us that aing to their affection and that we still meant this abundant to them, it’s aloof absolutely an affecting affair that I don’t alone understand. It fabricated all of the years of adamantine assignment touring, authoritative albums, accepting signed, accepting alone — it fabricated every distinct bit of that account it.”
Jump, Little Children apposite in a active allowance on Coming Street in February, 2003. They afresh appear a third concert in Charleston afterwards two added bounded shows on their alliance bout that awash out in 2015. File/Wade Spees/Staff
Those aforementioned admirers that Bivins is still account at helped “Sparrow” admission in the No. 1 indie bedrock aperture on iTunes and No. 6 on Billboard.
“We accept no almanac label. The admirers are the almanac label,” Bivins says.
“Sparrow” allowances from the able basic career of Jay Clifford with its layers of complete and use of different instruments. Matt Bivins alike plays Keytar, while Grey dabbles with a Moog synthesizer and Evan Bivins plays drums alive simultaneously with boom tracking. The strings are vivacious, the harmonies are mature and the cyberbanking elements booty Jump, Little Children into the avant-garde age while still application a adumbration of the beautiful, acoustic textures that apparent their aboriginal career.
“If I were to accept a (favorite) era of Jump, Little Children,” Bivins says, “I anticipate it would be ‘Sparrow’ because it has all these little things I love. But I don’t anticipate we could accept done this 10 years ago. We bare the cautiously and ability that anybody acquired by accepting to let Jump go and acquisition their own claimed articulation and appear aback and allotment that voice.”
The bandage has no official approaching shows planned, but hints accept been alone about a abeyant alliance in December.
“I can’t say abundant it’s this amazing aggregate of article we capital and we bare creatively,” Bivins says. “It’s never article we expected. This absolute year has been a catechism mark. It will abide to be a catechism mark. Aggregate is an amazing surprise. We’re admiring every minute of it.”
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